Remix Studies Conversations – Part 3 – 28th October 2021

Remix Studies Conversations – Part 3 will be happening this Thursday 28th October at 9.30am EDT (1.30pm GMT). Hope to see you there! #remix #remixstudies #criticalremix #remixculture with Eduardo Navas, Xtine Burrough, Ethan Plaut, Christine Boone, Steve Anderson, and Eran Hadas. Register here: https://tinyurl.com/remix-conversations-3

 

Published: The Routledge Handbook of Remix Studies and Digital Humanities

Three years in the making, I’m very excited to announce that the third book in our trilogy on remix studies has finally been published today! Thanks to Eduardo Navas, xtine burrough, and all of our contributors for helping to bring this project to life. 🥂📚

The Routledge Handbook of Remix Studies and Digital Humanities by Eduardo Navas, Owen Gallagher, and xtine burrough

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The Routledge Handbook of Remix Studies and Digital Humanities (2021),
Edited by Eduardo Navas, Owen Gallagher, and xtine burrough

https://www.amazon.com/Routledge-Handbook-Studies-Digital-Humanities-dp-0367361426/dp/0367361426/

Book Description: In this comprehensive and highly interdisciplinary handbook, contributors reflect on remix across the broad spectrum of media and culture, with each chapter offering in-depth reflections on the relationship between remix studies and the digital humanities.

The anthology is organized into sections that explore remix studies and digital humanities in relation to topics such as archives, artificial intelligence, cinema, epistemology, gaming, generative art, hacking, pedagogy, sound, and VR, among other subjects of study. Selected chapters focus on practice-based projects produced by artists, designers, remix studies scholars, and digital humanists. With this mix of practical and theoretical chapters, editors Navas, Gallagher, and burrough offer a tapestry of critical reflection on the contemporary cultural and political implications of remix studies and the digital humanities, functioning as an ideal reference manual to these evolving areas of study across the arts, humanities, and social sciences.

This book will be of particular interest to students and scholars of digital humanities, remix studies, media arts, information studies, interactive arts and technology, and digital media studies. #remix #remixes #remixstudies #digitalhumanities #mediastudies #routledge

Reclaiming Critical Remix Video Book (Routledge, 2017) Finally Published!

My new book has finally been published! The title is Reclaiming Critical Remix Video: The Role of Sampling in Transformative Works (Routledge, 2017) by Owen Gallagher.

Reclaiming Critical Remix Video: The Role of Sampling in Transformative Works by Owen Gallagher Book Cover

Description: Remix is now considered by many to be a form of derivative work, but such generalizations have resulted in numerous non-commercial remixes being wrongfully accused of copyright infringement. Gallagher argues, however, that remix is a fundamentally transformative practice. The assumption that cultural works should be considered a form of private property is called into question in the digital age; thus, he proposes an alternative system to balance the economic interests of cultural producers with the ability of the public to engage with a growing intellectual commons of cultural works. Multimodal analyses of both remixed and non-remixed intertextual work, with a particular focus on examples of critical remix video, fuel the discussion, synthesizing a number of investigative methods including semiotic, rhetorical and ideological analysis.

https://www.routledge.com/Reclaiming-Critical-Remix-Video-The-Role-of-Sampling-in-Transformative/Gallagher/p/book/9781138285262

https://www.amazon.com/Reclaiming-Critical-Remix-Video-Transformative/dp/1138285269